‘I’ve insured horrible things’: photographer Laia Abril on her history of misogyny
Poison herbs, handcuffs on a hospital bed, demise menace voicemails the subtle but chilling exhibits in the photographers powerful show about abortion capture the horror of a largely invisible war on women
My project begins in the 19 th century, says Laia Abril, as she guides me through A History of Misogyny, Chapter 1: On Abortion, her sometimes disturbing exhibition at the Arles photography festival. Back then, their own problems facing girls trying to control their reproduction were medical and technological. Now we live in a technological age and the problems girls face connected to politics and religion. But in many countries, where abortion is still illegal, they have to resort to life-threatening procedures. So for them , nothing has changed.
Although Abrils exhibition is not for the faint-hearted, she does not resort to shocking imagery or polemics. Instead, the indicate shifts between the personal, the historical and the cultural. It begins with her artful photographs of objects from the repository of the Museum of Contraception and Abortion in Vienna a condom made from a fish bladder, an array of surgical tools and medical illustrations which s he presents as painterly still lifes, either singularly or in groups.
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